VIDEO: Thursday – Dispatches from Margate

 Thursday

Continuing with the residency in Margate, here’s the third installment:

Thursday was spent largely working inside, so for this piece I decided to detail some of the rich textures within the house we’ve been staying in. The property is a large 4 story townhouse, which is currently mid-renovation, with exposed wooden floorboards and cracked walls with exposed plaster.

Detailing the tapestry of patterns, colours and uneven surfaces I wanted to pull out the aged aesthetic of the house in the presentation of the film – so I played with aspect ratio to present images in a format closer to 4:3 rather than a modern widescreen format. I also enhanced the square images with 35mm film grain and rounded off the corners to mimic the look of old slides, adding in projector sounds to support this look.

Finally the music loop was recorded in the afternoon on an old electric keyboard found in the living room, which we were experimenting with on a separate audio work. I processed the recording by slowing it down and detuning it, to further enhance the ‘aged’ aesthetic of the film.

Shot on a Sony A7s.

View the other pieces in the series below:

Advertisements

VIDEO: Wednesday – Dispatches from Margate

Wednesday

Continuing with the residency in Margate, here’s the second short video piece:

I wanted to provide a different perspective on Margate from yesterday’s piece, so as the tide receded I spent time down in the harbour capturing the orange and blue tones of the sunset set amongst the beached boats.

I was drawn to one boat in particular, named Sea Horse, which featured a curious Seahorse shaped ‘S’ on its stern.

DSC01457

It was a beautifully clear evening, so as the sun set, the sky was awash with intense oranges that slowly gave way to deep, inky blues. In terms of grading, I wanted to preserve these colours so I enhanced the contrast and deepened the blacks, but did little else. When shooting these scenes I shot in a flat profile and exposed to the right so that I could pull down the blacks in post and maintain the deep blues of dusk.

Finally, I decided to add in some sound design to play off the mostly static shots. The sounds of lapping waves, gusts of wind and creaking boats are suggestive of motion and act almost like ghostly echoes of movement.

The piece was shot entirely on my Sony A7s, using two old M42 lenses:

  • Pentacon 135mm f/2.8
  • Carl Zeiss MC Flektogon 35mm f/2.4

Watch Tuesday here.

VIDEO: Tuesday – Dispatches from Margate

I’m currently in Margate on a week long artist residency (PRAH Foundation) producing work that is responsive to the local area.

I’ll be focusing on both video and audio outputs and as part of the project I’ve tasked myself with the grand challenge of producing (and publishing!) something each day…

Here’s Tuesday’s effort:

On my first day, I spent a couple of hours walking around the waterfront with my camera and was particularly drawn to the dull tones of the Arlington House tower block. This drab, monolithic structure looms, rather oppressively, over the recently refurbished Dreamland fun park below (hoping to pay that a visit later in the week).

The colours from this scene influenced the overall grading of the piece, producing a rather muted colour profile throughout. I really liked the contrast of the blue sheds that emerge half way through, with the glimpse of the ferris wheel in the distance – neither of which can quite break free from the muted, sombre tones of their surroundings.

I shot this on my Sony A7s, which I haven’t really had much chance to experiment this year. I also wanted to test out a couple M42 lenses that I’d recently picked up on ebay:

  • Pentacon 135mm f/2.8
  • Carl Zeiss MC Flektogon 35mm f/2.4

21901602214_4e5271d02b_k

VIDEO: The Risks of The Everyday – with Jared Diamond

Over the summer I worked with the talented artist and illustrator Andrew Khosravani on what will be the first of a series of animated shorts for the Royal Institution’s digital video channels.

For sometime I’d wanted to re-purpose content from our long-form lecture videos by excerpting audio clips and using these as the basis for animations. Other organisations have had great success doing this in the past, particularly the RSA (check out their RSA animate videos) and so it struck me as a no-brainer when Andrew recently joined our team.

In choosing the right clip, it was important to find an excerpt that was fairly self-contained and that would stand-alone outside of the context of the longer event video. For this first project we decided upon an excerpt from a Q&A event with the Pulitzer prize winning scientist and author Jared Diamond, filmed back in 2013. In the excerpt, Jared discusses how insights from the lifestyles of far-removed cultures can impact the way we think about our own lives, particularly in the context of our approach to risk – an anecdote that has always stuck with me since filming the event.

After trimming and pruning the audio clip to get the flow as tight as possible Andrew set about story boarding the piece and after we were agreed on the direction he set about creating the artwork assets and animation. As you’ll see from watching the piece, the attention to detail is pretty breathtaking, Andrew writes on the Ri Blog,

“Because of the density of the vegetation in the animation, some of these scenes were created with upwards of 1000 layers of illustration.”

All this serves to creates an incredible visual feast, one that really pulls the audio into a rich and colourful visual medium.

Once the animation was finished I worked on the sound design to tidy up the audio clip and add a little more depth and weight to the piece. As you’ll hear it’s all fairly subtle, which was necessary because the visuals are definitely leading here and there’s a lot going on in the frame already.

The aim of this project was always to blend scientific content with an artistic aesthetic in an attempted to reach audiences that don’t traditionally engage with our more science heavy content. The piece was subsequently awarded a ‘staff pick’ on Vimeo and was picked up by several art and design sites around the web, so we were obviously pretty chuffed about that!

We’re now working on our second piece, which sets visuals to an audio piece I made, featuring British astronaut Helen Sharman discussing her dreams about space. We will be releasing this piece in the lead up to the Christmas Lectures – so stay tuned!