Video: Behind the scenes at the Almeida Theatre

Before sets have been built and costumes designed there usually isn’t much to help promote upcoming theatre productions – which means creating a buzz before they launch is tricky.

So the Almeida Theatre in London has been commissioning me to produce behind the scenes films to help promote upcoming shows.

The Tragedy of King Richard II

These have been quite demanding shoots, learning to work with a small footprint and minimise disruption to the directors and actors in the room.

As with all shoots it’s about getting the footage you need for the edit – capturing a sense of what’s happening in the room as well as the themes of the play in rehearsal. The location set-up is often only seen on the day of the shoot – meaning I’ll make a very quick assessment and mental shot list as I walk in.

Access to the rehearsals can be anything from 20 minutes to an hour – which means there are strict time limits to capture enough footage – this is stressful, but it also forces me to be efficient.

It also means that shoots are usually handheld and dynamic, with lots of camera movement to help emphasise action. During the shoots I’m quite procedural, using my mental shot list to make sure I get a range of close-ups, mids, wides – camera movements,  detail shots – and slow motion – all of which I know I’ll need to make a compelling edit.

Interviews and access to the actors is also very limited – so quick decision making in setting up the look of these is vital. These pieces are used to promote upcoming productions, so getting the key sound bites that really sell the production and describe the tone of the play is vital.

Dance Nation

The edits themselves usually start with music selection – which is how I tend to approach most edits –  so finding the right track can take some time before cutting even begins.

Grading is also another useful way of communicating the tone and language of the production, for example with the Tragedy of King Richard II, I chose cooler colours to emphasise the starkness of the play’s content.

I’ve really enjoyed working with the Almeida because they’ve been very supportive in producing adventurous work – something that not all organisations have the confidence to do!

 

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Video: DRAG – Meet the curator | Hayward Gallery

Senior Curator Vincent Honore introduces us to the DRAG: Self-portraits and body politics exhibition in my latest piece for the Hayward Gallery.

The exhibition is free – so go check it out!

Video: Robert Smith’s Meltdown

Over June I covered Robert Smith’s Meltdown Festival at Southbank Centre – directing and producing shoots across the festival to create highlight reels and band interview videos.

It was one of the most intense working weeks I’ve pulled off in a long time, completely fuelled by coffee and adrenaline, but totally worth it. Getting to film upfront during performances of bands such as Deftones, Manic Street Preachers and Mogwai were definite highlights.

I learnt loads of lessons during this project – particularly the need for agility and the importance of hanging around backstage to grab last minute interview opportunities!

Special thanks also needs to go to Philip Jenkins and Ben Smith who provided much needed production support!

Mogwai

Yonaka

Deftones

Video: GAIKA – Basic Volume Combat Sports

I was recently asked by Warp Records to provide production for Gaika’s video streaming show, BVCS. The stream is a mix of DJ sets, live performances and interviews curated by Gaika.

The line-up for the featured episode:

Ikonika
Amy Becker
Tony Njoku
Kamixlo

All the sets were recorded at Somerset House in London and streamed online.

Video: Andreas Gursky: Redefining Photography

A new film I produced to accompany the Andreas Gursky exhibition at the Hayward Gallery. This exhibition marks the 50th anniversary of the Hayward and re-opens the gallery after two years of refurbishment.

Welcome back Hayward!

“Driven by an interest and insight into ‘the way that the world is constituted’, as well as what he describes as ‘the pure joy of seeing’, Gursky makes photographs that are not just depictions of places or situations, but reflections on the nature of image-making and the limits of human perception. Often taken from a high vantage point, these images make use of a ‘democratic’ perspective that gives equal importance to all elements of his highly detailed scenes.”

This retroyspective exhibition spans Gursky’s entire career and features over 60 of his prints. These works are also absolutely huge and have to be seen in the flesh to truly appreciate them.

 

Video: William Boyd’s Book Club

Here’s the first film in a new series I’m making for the Southbank Centre called BOOK CLUB – inviting writers, artists and performers to share the books which matter to them.

First to take us on a tour of his extensive book shelves is the novelist and screenwriter William Boyd.

In William Boyd’s Book Club the author talks us through some of the ‘over 10,000’ books that occupy the shelves of his London home, from the miniscule Victorian Thumb Dictionary, to the more contemporary novels of David Szalay and Evie Wyld.