Over June I covered Robert Smith’s Meltdown Festival at Southbank Centre – directing and producing shoots across the festival to create highlight reels and band interview videos.
It was one of the most intense working weeks I’ve pulled off in a long time, completely fuelled by coffee and adrenaline, but totally worth it. Getting to film upfront during performances of bands such as Deftones, Manic Street Preachers and Mogwai were definite highlights.
I learnt loads of lessons during this project – particularly the need for agility and the importance of hanging around backstage to grab last minute interview opportunities!
Special thanks also needs to go to Philip Jenkins and Ben Smith who provided much needed production support!
I was recently asked by Warp Records to provide production for Gaika’s video streaming show, BVCS. The stream is a mix of DJ sets, live performances and interviews curated by Gaika.
The line-up for the featured episode:
All the sets were recorded at Somerset House in London and streamed online.
I was delighted that my BBC World Service feature Leaving the Fold picked up the “Best UK Audio Award” at the Telling Tales International Documentary festival in Manchester!
The documentary explores the very personal stories of three people who walked away from their faith and the difficult transitions they made into a world without god.
You can listen to it here.
There was a lovely edition of BBC R4’s “Four Thought” broadcast last week called “Capturing Moonlight”. In this short programme, poet Astrid Alben discusses her experiences of using art and science together to better understand the nature of moonlight. What is particularly interesting to me is hearing about Astrid’s endeavour to navigate the complexities of science in order to deepen her own artistic practice.
Back in 2015 I collaborated with Astrid and Hester Aardse of the PARS Foundation to produce a listening experience for a Wellcome Collection event called ‘Some Like Dark‘, which formed part of her investigation into moonlight.
Together we crafted an audio work which centred around an interview recorded with physicist Sir John Pendry. The piece explores how our modern understanding of light developed through investigations by James Clerk Maxwell in the 19th Century and concludes with a playful discussion about trying to capture moonlight in a box (excerpt 4).
The 30 minute piece also included readings and audio works from theatre maker Jan van den Berg, lighting designer; Jennifer Tipton and sound poet; Jaap Blonk.
You can listen to excerpts below:
Rest matters to everyone. Its presence, absence and quality affects mind, body, culture and society. Rest & its discontents explores the dynamics of rest, stress, relaxation, sound, noise, work and mindwandering in an evolving laboratory of moving image, performance, drawing, poetry, data, sound, music and debate.
Rest & its discontents is currently on at the Mile End Art Pavilion until the 30th October (http://hubbubresearch.org/event/rest-discontents/).
Experience Composite (excerpt)
Commissioned for Rest & its discontents.
The short film is the final piece I’ve produced as part of my 2-year residency within the Wellcome Collection’s Hubbub Group.
The film uses material gathered from individuals participating in Descriptive Experience Sampling (DES) to generate short vignettes which explore and re-interpret their inner experiences. DES is a method pioneered by US psychologist Russell Hurlburt which aims to document the nature and quality of an individual’s inner experiences.
Participants are given a beeper that sounds randomly throughout the day and when it does, individuals are asked to make a note of the contents of their experience. Follow up interviews tease out the detail of each experience to produce a short “beep summary”, a short vignette or snapshot of an isolated experience in time.
Experience Composite, uses the the contents of the beep summaries and experiments with framing, looping and over-dubbing to explore the nature of our inner experiences. The film also re-interprets the summaries in playful ways to highlight the unavoidable distortion and artifice introduced when attempting to document or conceptualise our inner experiences.