Blood, rats and anticoagulants: The story of Warfarin
Warfarin is one of the worlds most widely prescribed drugs and its history is littered with the bodies of sick cows and poisoned rats. This film I produced for Nature tells the story of how a bloody beginning gave rise to the life-saving medication.
A new film I produced to accompany the Andreas Gursky exhibition at the Hayward Gallery. This exhibition marks the 50th anniversary of the Hayward and re-opens the gallery after two years of refurbishment.
Welcome back Hayward!
“Driven by an interest and insight into ‘the way that the world is constituted’, as well as what he describes as ‘the pure joy of seeing’, Gursky makes photographs that are not just depictions of places or situations, but reflections on the nature of image-making and the limits of human perception. Often taken from a high vantage point, these images make use of a ‘democratic’ perspective that gives equal importance to all elements of his highly detailed scenes.”
This retroyspective exhibition spans Gursky’s entire career and features over 60 of his prints. These works are also absolutely huge and have to be seen in the flesh to truly appreciate them.
Here’s the first film in a new series I’m making for the Southbank Centre called BOOK CLUB – inviting writers, artists and performers to share the books which matter to them.
First to take us on a tour of his extensive book shelves is the novelist and screenwriter William Boyd.
In William Boyd’s Book Clubthe author talks us through some of the ‘over 10,000’ books that occupy the shelves of his London home, from the miniscule Victorian Thumb Dictionary, to the more contemporary novels of David Szalay and Evie Wyld.
My final film for the Royal Institution features engineer Hugh Lewis and explores the growing problem with space debris. With over 18,000 objects being tracked in orbit and another 170 million too small to be tracked – the problem threatens not only our satellite infrastructure, but the future of space travel as well.
Here’s a showreel covering some of my work over the last few years.
Everyone has a different take on how a showreel should look, I decided I wanted something that was almost an original work in itself. I was interested in re-purposing my existing material and having a bit of fun with the edit, hopefully to catch the eye of whoever was watching it and encouraging them to explore my body of work in more detail.
What is in the contents of your head at the moment of the beep?
This film was commissioned as part of a residency within the Wellcome Collection’s Hubbub Group and exhibited at the “Rest & its discontents” exhibition at Mile End Art Pavilion, London October 2016.
Using playful imagery the film presents a collection of short vignettes that explore the strange and often abstract nature of our everyday inner experiences.
The experiences were documented through a process called descriptive experience sampling (DES), a technique developed by American psychologist Russel Hurlburt that aims to document inner experiences – the thoughts, feelings, sensations and bodily experiences that constitute our everyday consciousness.
Participants of DES wear a small beeper which sounds randomly throughout the day, at the moment of the beep, individuals are instructed to note down the exact contents of their experience (this could include internal monologues, physical sensations or visual imagery).
Follow up interviews tease out the information of the experiences and distill them into short summaries. These so called “beep summaries” provide wonderfully vivid depictions, almost like a dream diary, for seemingly mundane everyday experiences.
Using material gathered by several members of the Hubbub team, this film translates and re-interprets the contents of the beep summaries, referencing the distortions and adaptations that occur when we try to conceptualise our inner experiences with others.
The film was shot over the summer of 2016 on a Sony A7s. I used old M42 lenses to help give the piece a faded, dream like quality – which was further aided by adding film grain and muting the colours slightly in post. Most of the portraits were shot on an old Takumar 50mm 1.4 lens which has a beautiful vintage bokeh, which is full of character and lacks the somewhat clinical precision of a modern lens.
Find out more about the Hubbub Research group here: hubbubresearch.org
A short film I made for the Royal Institution that explores the relationship between entropy and time. The piece formed part of the larger Ri Advent Calendar project which explored the four laws of thermodynamics.
An animation I produced last year with animator / illustrator Rosanna Wan for the Royal Institution.
Rosanna’s distinct visuals incorporate a hand drawn style that tell the story of cartographer Marie Tharp, whose work helped to detail the complex geography of ocean floors around the world.
Her maps helped to demonstrate that the ocean floor was in fact a complex assortment of peaks and troughs – which went against conventional wisdom at the time. Despite fierce opposition, she stuck fast to her findings and as more data was collated, the tide of opposition turned, paving the way for our modern understanding of plate tectonics.
We shot this in Victoria Park in October to take full advantage of the vibrant autumnal colours. These yellows and orange tones were used as a starting point to form psychedelic kaleidoscopes that pulsate and evolve from the movement within the shot. I’ve been really interested in experimenting with different types of framing, particularly presenting multiple frames side by side and playing with symmetry – this also presents opportunity for mischief when the symmetry between frames is pulled out of sync, reversed and distorted.
The track is taken from their latest album “Bamboo Diner in the Rain” – which is out on Moshi, Moshi – I’m really enjoying it – so check it out!
I’ve got another Wave Pictures video coming in the new year – so stay tuned!
Rest matters to everyone. Its presence, absence and quality affects mind, body, culture and society. Rest & its discontents explores the dynamics of rest, stress, relaxation, sound, noise, work and mindwandering in an evolving laboratory of moving image, performance, drawing, poetry, data, sound, music and debate.
The short film is the final piece I’ve produced as part of my 2-year residency within the Wellcome Collection’s Hubbub Group.
The film uses material gathered from individuals participating in Descriptive Experience Sampling (DES) to generate short vignettes which explore and re-interpret their inner experiences. DES is a method pioneered by US psychologist Russell Hurlburt which aims to document the nature and quality of an individual’s inner experiences.
Participants are given a beeper that sounds randomly throughout the day and when it does, individuals are asked to make a note of the contents of their experience. Follow up interviews tease out the detail of each experience to produce a short “beep summary”, a short vignette or snapshot of an isolated experience in time.
Experience Composite, uses the the contents of the beep summaries and experiments with framing, looping and over-dubbing to explore the nature of our inner experiences. The film also re-interprets the summaries in playful ways to highlight the unavoidable distortion and artifice introduced when attempting to document or conceptualise our inner experiences.