Leaving the Fold wins Award

 

I was delighted that my BBC World Service feature Leaving the Fold picked up the “Best UK Audio Award” at the Telling Tales International Documentary festival in Manchester!

The documentary explores the very personal stories of three people who walked away from their faith and the difficult transitions they made into a world without god.

You can listen to it here.

Audio: SOME LIKE DARK

There was a lovely edition of BBC R4’s “Four Thought” broadcast last week called “Capturing Moonlight”. In this short programme, poet Astrid Alben discusses her experiences of using art and science together to better understand the nature of moonlight. What is particularly interesting to me is hearing about Astrid’s endeavour to navigate the complexities of science in order to deepen her own artistic practice.

Back in 2015 I collaborated with Astrid and Hester Aardse of the PARS Foundation to produce a listening experience for a Wellcome Collection event called ‘Some Like Dark‘, which formed part of her investigation into moonlight.

Together we crafted an audio work which centred around an interview recorded with physicist Sir John Pendry. The piece explores how our modern understanding of light developed through investigations by James Clerk Maxwell in the 19th Century and concludes with a playful discussion about trying to capture moonlight in a box (excerpt 4).

The 30 minute piece also included readings and audio works from theatre maker Jan van den Berg, lighting designer; Jennifer Tipton and sound poet; Jaap Blonk.

You can listen to excerpts below:

Excerpt 1

Excerpt 2

Excerpt 3

Excerpt 4

Video

VIDEO: Living in space – An Astronaut’s Perspective

Video produced for the Royal Institution, for the 2015 Advent Project “A Place Called Space”. The piece is composed from multiple interviews with astronauts that were recorded between September – November 2015.

The film features 4 astronauts (Dan Tani, Helen Sharman, Jean-François Clervoy , Mike Barratt) and uses NASA archive footage to explore the ins and outs of living in space (spoiler alert: it’s fun, but it ain’t easy!).

All interviews were transcribed and then common threads were grouped together and collected on an edit timeline. The audio segments were cut down and edited together, then brought into FCPX where they were combined with video footage. I spent quite a while searching and logging appropriate NASA archive footage. Once the rough form was assembled, I introduced some music and refined the edit to work with the tracks I’d chosen.

AUDIO: Anatomy of a Panic Attack

Occurring without warning, the panic attack is a crippling and cruel symptom of many anxiety disorders. These debilitating episodes thrust individuals into intense bouts of terror, leaving them fighting to regain control of their own body.

The piece combines interview material recorded with a friend and abrasive sound design to pull the listener into the experience of a panic attack. It was produced as part of the Hubbub Relaxation / Cacophony tape, commissioned by the Wellcome Trust and featured during the Lates Spectacular event in September 2015.

Listen to the Relaxation / Cacophony Tape in full here: www.inthedarkradio.org/the-dark-room…e-collection/

Image: cristina – www.flickr.com/photos/cristinafo…rafia/5025559787/

VIDEO: Thursday – Dispatches from Margate

 Thursday

Continuing with the residency in Margate, here’s the third installment:

Thursday was spent largely working inside, so for this piece I decided to detail some of the rich textures within the house we’ve been staying in. The property is a large 4 story townhouse, which is currently mid-renovation, with exposed wooden floorboards and cracked walls with exposed plaster.

Detailing the tapestry of patterns, colours and uneven surfaces I wanted to pull out the aged aesthetic of the house in the presentation of the film – so I played with aspect ratio to present images in a format closer to 4:3 rather than a modern widescreen format. I also enhanced the square images with 35mm film grain and rounded off the corners to mimic the look of old slides, adding in projector sounds to support this look.

Finally the music loop was recorded in the afternoon on an old electric keyboard found in the living room, which we were experimenting with on a separate audio work. I processed the recording by slowing it down and detuning it, to further enhance the ‘aged’ aesthetic of the film.

Shot on a Sony A7s.

View the other pieces in the series below:

VIDEO: Wednesday – Dispatches from Margate

Wednesday

Continuing with the residency in Margate, here’s the second short video piece:

I wanted to provide a different perspective on Margate from yesterday’s piece, so as the tide receded I spent time down in the harbour capturing the orange and blue tones of the sunset set amongst the beached boats.

I was drawn to one boat in particular, named Sea Horse, which featured a curious Seahorse shaped ‘S’ on its stern.

DSC01457

It was a beautifully clear evening, so as the sun set, the sky was awash with intense oranges that slowly gave way to deep, inky blues. In terms of grading, I wanted to preserve these colours so I enhanced the contrast and deepened the blacks, but did little else. When shooting these scenes I shot in a flat profile and exposed to the right so that I could pull down the blacks in post and maintain the deep blues of dusk.

Finally, I decided to add in some sound design to play off the mostly static shots. The sounds of lapping waves, gusts of wind and creaking boats are suggestive of motion and act almost like ghostly echoes of movement.

The piece was shot entirely on my Sony A7s, using two old M42 lenses:

  • Pentacon 135mm f/2.8
  • Carl Zeiss MC Flektogon 35mm f/2.4

Watch Tuesday here.

VIDEO: The Risks of The Everyday – with Jared Diamond

Over the summer I worked with the talented artist and illustrator Andrew Khosravani on what will be the first of a series of animated shorts for the Royal Institution’s digital video channels.

For sometime I’d wanted to re-purpose content from our long-form lecture videos by excerpting audio clips and using these as the basis for animations. Other organisations have had great success doing this in the past, particularly the RSA (check out their RSA animate videos) and so it struck me as a no-brainer when Andrew recently joined our team.

In choosing the right clip, it was important to find an excerpt that was fairly self-contained and that would stand-alone outside of the context of the longer event video. For this first project we decided upon an excerpt from a Q&A event with the Pulitzer prize winning scientist and author Jared Diamond, filmed back in 2013. In the excerpt, Jared discusses how insights from the lifestyles of far-removed cultures can impact the way we think about our own lives, particularly in the context of our approach to risk – an anecdote that has always stuck with me since filming the event.

After trimming and pruning the audio clip to get the flow as tight as possible Andrew set about story boarding the piece and after we were agreed on the direction he set about creating the artwork assets and animation. As you’ll see from watching the piece, the attention to detail is pretty breathtaking, Andrew writes on the Ri Blog,

“Because of the density of the vegetation in the animation, some of these scenes were created with upwards of 1000 layers of illustration.”

All this serves to creates an incredible visual feast, one that really pulls the audio into a rich and colourful visual medium.

Once the animation was finished I worked on the sound design to tidy up the audio clip and add a little more depth and weight to the piece. As you’ll hear it’s all fairly subtle, which was necessary because the visuals are definitely leading here and there’s a lot going on in the frame already.

The aim of this project was always to blend scientific content with an artistic aesthetic in an attempted to reach audiences that don’t traditionally engage with our more science heavy content. The piece was subsequently awarded a ‘staff pick’ on Vimeo and was picked up by several art and design sites around the web, so we were obviously pretty chuffed about that!

We’re now working on our second piece, which sets visuals to an audio piece I made, featuring British astronaut Helen Sharman discussing her dreams about space. We will be releasing this piece in the lead up to the Christmas Lectures – so stay tuned!

Event: Some Like Dark

Image: Eleni Kalorkoti

Over the last month I’ve been collaborating with Astrid Alben and Hester Aardse of PARS to produce a listening experience for their ‘Some Like Dark‘ event that runs over the May bank holiday weekend at the Wellcome Collection in London.

The listening feature is made up from a collection of interwoven readings, poems, sound pieces and interviews that explore light from different perspectives.

Let your imagination loose on an in-the-dark journey with the work of theatre maker Jan van den Berg, lighting designer; Jennifer Tipton, physicist; John Pendry, sound poet; Jaap Blonk; and many more.

Image: Recording in the Wellcome Collection's audio studio
Image: Recording in the Wellcome Collection’s audio studio

The event promises to be a magical and immersive experience featuring science demonstrations and an animation produced by Eleni Kalorkoti entitled ‘Moonlight in a box’ (top image).

Tickets are free and can be booked online or in person over the weekend! The event runs all weekend as part of the larger ‘On Light‘ event taking place at the Wellcome collection – check it out!

Friday 1 May 2015

19:15-20:00

20:30-21:15

21:45-22:30

Saturday 2 May 2015

13:15-14:00

14:30-15:15

15:45-16:30

Sunday 3 May 2015

13:15-14:00

14:30-15:15

15:45-16:30

Monday 4 May 2015

13:15-14:00

14:30-15:15

15:45-16:30

Audio: Oxford Sparks – Big Questions Podcast

The University of Oxford’s Big Questions podcast which I’ve been producing is now available online to listen to!

Each episode features narration from Chris Lintott and explores a ‘big theme’ in science, from matters of scale to hidden worlds. Featuring interviews with scientists from the University of Oxford the series incorporates music and colourful sound design to bring concepts and details to life – have a listen to a couple of my favourite pieces below!

You can subscribe to the podcast on iTunes or through their Soundcloud page. Episodes are available both in feature length (30 mins) and as individual parts (three per episode)!

Video: Why science is NOT ‘Just a Theory’

Short animation we just put out at the Ri, written by Alom Shaha and narrated by Jim Al-Khalili.

Art / animation by Jack Kenny and I did the sound design.

Video blurb:

There’s an important difference between a scientific theory and the fanciful theories of an imaginative raconteur, and this quirk of semantics can lead to an all-too-common misconception. In general conversation, a ‘theory’ might simply mean a guess. But a scientific theory respects a somewhat stricter set of requirements. When scientists discuss theories, they are designed as comprehensive explanations for things we observe in nature. They’re founded on strong evidence and provide ways to make real-world predictions that can be tested.

While scientific theories aren’t necessarily all accurate or true, they shouldn’t be belittled by their name alone. The theory of natural selection, quantum theory, the theory of general relativity and the germ theory of disease aren’t ‘just theories’. They’re structured explanations of the world around us, and the very foundation of science itself.

There’s an extended blog post on the project here: http://www.rigb.org/blog/2014/november/its-just-a-theory