Back in June I worked on ‘The Listening Post’ – an ambitious sound installation, co-commissioned by LIFT and 14-18 NOW that formed part of the ‘After a War‘ exhibition at the Battersea Arts Centre.
Writers James Wilkes and Tom Chivers led the project researching the history and lives of Battersea residents during the First World War. Their research into local archives and town records unearthed a wealth of material to work with, featuring stories from conscientious objectors, the struggles of munitionettes and the local paranoia surrounding activities of German bakers (below).
The pieces were produced and presented across more than 14 speakers spread throughout the installation, supported by work from graphic designer Lina Hakim and installation designer Gary Campbell.
Each section of the installation evoked a different feeling and theme, ranging from orchid growing to leisure activities (roller skating and hot air ballooning) before moving onto the darker tones of wartime industry and tribunals for conscientious objectors.
You can listen to James below as he gives a guided overview of the installation:
You can read a review of the event here.
The space between silence and noise
Last year, as part of an AHRC funded project, I was commissioned to make a short experimental audio documentary on the subject of silence. I was given freedom as to how I explored this subject and so I set out to capture the thoughts of those who worked with sound and in silent spaces.
Click here to download it.
The result, unsurprisingly, was that silence meant lots of different things to different people and so thematically it was very noisy! This relationship between noise and silence was one I was keen to explore through the production and so the piece is filled with hiss, distortion and feedback in an attempt to echo the noisy subject matter. This was explored further through the use of interviews but also with extracts of the poem ‘Describing Silence’ which are intercut throughout. This piece written by James Wilkes was a response to his time spent in total silence and explores some of the self generated noise born out of silence.
The audio work was an artistic output for an Arts and Humanities Research Council funded project exploring the role of silence in academia and other professional fields. The project was run by the Science Communication Centre at Imperial College London and the piece was featured at one of their events.
- The piece features interviews with Sophie Scott (cognitive neuroscientist), James Wilkes (poet and writer), Sara Mohr-Pietsch (BBC Radio 3 presenter), Cheryl Tipp (Natural Sounds Curator, British Library) and Vidyadaka (London Buddhist Centre).
- The idea of distortion and noise influenced the production from the early stages and as work continued I really wanted to create an intense build up of noise that would level off and really help mark the silence experienced later on in the anechoic chamber.
- The piece written by James Wilkes ‘Describing Silence‘ – can be heard in full below:
- The interview and reading from James was recorded in an anechoic chamber based at UCL. The space itself is very strange to stand in, the best comparison I can think of is what happens to your hearing when you travel in a pressurised aeroplane. In terms of recording audio in there, it was actually a pretty boring space to record in!
- Although it did crop up in several interviews I was keen to avoid referencing John Cage’s 4:33 – there are some great pieces on this already (particularly here: http://www.thirdcoastfestival.org/library/1258-john-cage-and-the-question-of-genre) and it justifies a much longer discussion than I could have accommodated for it.
- The piece was recorded on a Zoom H4n and a Marantz PMD661 with AKG D230 dynamic microphone. It was edited and composed in Ableton Live.
Earlier in the year I received a commission to produce some experimental audio work on the theme of ‘dreams’ for the ‘Dark Matters’ event at the Manchester Museum of Science and Industry. For this commission I collaborated with poet James Wilkes who has previously been a poet in residence at the UCL Institute of Cognitive Neuroscience and run the ‘Vox Lab’ project.
The resulting pieces we produced present a list detailing a week’s worth of dreams – pulling an odd array of incoherent imagery, places and situations into the formalised structure of a list. The list was compiled and narrated by James and then worked into three soundscape movements, each of which were responsive to elements of the list content.
Dreams naturally offer a rich source of imagery to work from, they’re patchy, incoherent and often overflowing with symbolism, so I really like the idea of pulling all this messy imagery into a structured, arbitrary list. In a sense, The List is an attempt to bring order to some of the madness that breaks loose within our nocturnal imaginations. The conscious brain seeking for order from the chaotic ramblings of the unconscious mind.
The pieces were presented in the form of an In The Dark listening event held at the museum and which pulled together a collection of audio works exploring the human mind, dreams and brain disorders. After curating an In The Dark event for ‘The Voice’ (an event produced by James at the Wellcome Collection) it was great to work with James directly on the production of this commission. It was also fantastic to be given the opportunity to bring creative audio work within the confines of a Science Museum and introduce In The Dark to an audience outside of London!