Here’s a showreel covering some of my work over the last few years.
Everyone has a different take on how a showreel should look, I decided I wanted something that was almost an original work in itself. I was interested in re-purposing my existing material and having a bit of fun with the edit, hopefully to catch the eye of whoever was watching it and encouraging them to explore my body of work in more detail.
We shot this in Victoria Park in October to take full advantage of the vibrant autumnal colours. These yellows and orange tones were used as a starting point to form psychedelic kaleidoscopes that pulsate and evolve from the movement within the shot. I’ve been really interested in experimenting with different types of framing, particularly presenting multiple frames side by side and playing with symmetry – this also presents opportunity for mischief when the symmetry between frames is pulled out of sync, reversed and distorted.
The track is taken from their latest album “Bamboo Diner in the Rain” – which is out on Moshi, Moshi – I’m really enjoying it – so check it out!
I’ve got another Wave Pictures video coming in the new year – so stay tuned!
Here’s my first venture into music videos – made for a friend’s band – Dear Leaders.
It was actually shot last year, but a busy work schedule delayed the edit until the beginning of this year – they released the track as a single in April alongside the video – check it out below!
It was real guerrilla film making, we had no budget, very little plan or script – just a very rough narrative. We shot this across London, near Green Lanes in Haringey and also in Hackney Marshes, with a lot of improvisation at the locations. I also shot this solo, with only two days to get everything done (the band live in separate cities) – which added extra pressure to the production!
The edit was quite challenging as a result, but eventually I picked a route through the footage, not that the narrative makes total sense… but when were music videos ever the bastion of linear narratives?
I was lucky enough to work with actor Julian Spooner (who put up with two days of masking tape being ripped off his face) – who was great to work with, mainly because he was very patient and took my direction without protest. The band members also make small cameos – see if you can spot them!
It was shot mostly on my Sony A7s and it’s low light capabilities allowed opened up a lot of creative possibilities for shooting at dusk on the marshes.