My final film for the Royal Institution features engineer Hugh Lewis and explores the growing problem with space debris. With over 18,000 objects being tracked in orbit and another 170 million too small to be tracked – the problem threatens not only our satellite infrastructure, but the future of space travel as well.
Here’s a showreel covering some of my work over the last few years.
Everyone has a different take on how a showreel should look, I decided I wanted something that was almost an original work in itself. I was interested in re-purposing my existing material and having a bit of fun with the edit, hopefully to catch the eye of whoever was watching it and encouraging them to explore my body of work in more detail.
We shot this in Victoria Park in October to take full advantage of the vibrant autumnal colours. These yellows and orange tones were used as a starting point to form psychedelic kaleidoscopes that pulsate and evolve from the movement within the shot. I’ve been really interested in experimenting with different types of framing, particularly presenting multiple frames side by side and playing with symmetry – this also presents opportunity for mischief when the symmetry between frames is pulled out of sync, reversed and distorted.
The track is taken from their latest album “Bamboo Diner in the Rain” – which is out on Moshi, Moshi – I’m really enjoying it – so check it out!
I’ve got another Wave Pictures video coming in the new year – so stay tuned!
Here’s a short animation I wrote and produced with animator / illustrator Andrew Khosravani.
The piece is narrated by Hannah Fry and tells the story of how zero became a number. We were very happy about it getting a “Staff Pick” on Vimeo!
The scripting for the piece was tricky, it took several weeks to wrap our heads around the subject and then boil a significant amount of history down into around 3 minutes… inevitably details had to be cut and even after recording the voice-over with Hannah we had to make some difficult decisions to make further cuts. All in the name of reducing animation time – which was significant for a piece like this – Andrew did an incredible job!
Oh and the chapter numbers are obviously all in binary.
Here’s my first venture into music videos – made for a friend’s band – Dear Leaders.
It was actually shot last year, but a busy work schedule delayed the edit until the beginning of this year – they released the track as a single in April alongside the video – check it out below!
It was real guerrilla film making, we had no budget, very little plan or script – just a very rough narrative. We shot this across London, near Green Lanes in Haringey and also in Hackney Marshes, with a lot of improvisation at the locations. I also shot this solo, with only two days to get everything done (the band live in separate cities) – which added extra pressure to the production!
The edit was quite challenging as a result, but eventually I picked a route through the footage, not that the narrative makes total sense… but when were music videos ever the bastion of linear narratives?
I was lucky enough to work with actor Julian Spooner (who put up with two days of masking tape being ripped off his face) – who was great to work with, mainly because he was very patient and took my direction without protest. The band members also make small cameos – see if you can spot them!
It was shot mostly on my Sony A7s and it’s low light capabilities allowed opened up a lot of creative possibilities for shooting at dusk on the marshes.
This year we wanted to go all out for our April Fools effort, so we decided to make a video to announce this year’s (fake) Christmas Lectures subject and lecturer. You can see the effort below:
In reality, the lecturer featured in the video is none-other than Ri Director of Finance, Michael de Crespigny (at least his name was real) who, may I add, played a fantastic role in portraying a quantum astrologer.
Although we don’t usually make a video announcing the Christmas Lecturer we wanted to create a piece of content that would work for our international YouTube audience as much as those that regularly tune into the Lectures in the UK.
So we set about scripting a piece that straddled the line between nonsense and plausibility, settling on the subject of astrology and making liberal use of the word “quantum” to hopefully pull the wool over people’s eyes.
I recently made a short film for the Royal Institution that tells a story of the miners safety lamp, also known as the “Davy Lamp” – invented by Sir Humphry Davy in the 19th Century.
The lamp was designed to allow miners to safely light their way in the mines using candles or oil lamps – which were previously at risk of igniting flammable gases that leaked from the coal baring rocks, often leading to devastating explosions and large loss of life.
Find out more by watching the video!
This is the first time we’ve explored an archive story through the format of Andy’s Tale’s From the Prep Room series and I really like how the historical narrative is combined with the usual demonstration elements of the series – it’s something we’ll think about doing more in the future.
Riffing off the film’s subject matter, I thought I’d experiment with shooting most of the film in candle light in a pitch black environment – which was made possible by the low light capabilities of the Sony A7s, combined with a very fast vintage lens (Takumar 50mm f1.4). I really love the intimate setting that this creates and it also helped to hide the fact that we shot this in a very dull location (the Ri’s windowless basement lab used for school workshops).
Slow motion footage was captured on the Panasonic GH4 at around 100fps – watching the flames billowing out of the gas filled tube is particularly mesmerising!
The final video piece produced during a week long artist residency in Margate.
Building on the ideas explored in the previous piece, I decided to evolve the square framing and slide-like presentation to include simple shots of shapes and colours I found around Margate. However this time worked with a centre division in the frame, juxtapositioning two different shots.
When I was out shooting I did have this in mind, so I concentrated mainly on rectangle and square shapes, lining shots up in a way that would work with this format. The edit was more a proof on concept, it’ll be interesting to see how I can expand on it and use it within something more substantial.
Shot on a Sony A7s.
Tuesday (blog post)
Wednesday (blog post)
Thursday (blog post)
Over the summer I worked with the talented artist and illustrator Andrew Khosravani on what will be the first of a series of animated shorts for the Royal Institution’s digital video channels.
For sometime I’d wanted to re-purpose content from our long-form lecture videos by excerpting audio clips and using these as the basis for animations. Other organisations have had great success doing this in the past, particularly the RSA (check out their RSA animate videos) and so it struck me as a no-brainer when Andrew recently joined our team.
In choosing the right clip, it was important to find an excerpt that was fairly self-contained and that would stand-alone outside of the context of the longer event video. For this first project we decided upon an excerpt from a Q&A event with the Pulitzer prize winning scientist and author Jared Diamond, filmed back in 2013. In the excerpt, Jared discusses how insights from the lifestyles of far-removed cultures can impact the way we think about our own lives, particularly in the context of our approach to risk – an anecdote that has always stuck with me since filming the event.
After trimming and pruning the audio clip to get the flow as tight as possible Andrew set about story boarding the piece and after we were agreed on the direction he set about creating the artwork assets and animation. As you’ll see from watching the piece, the attention to detail is pretty breathtaking, Andrew writes on the Ri Blog,
“Because of the density of the vegetation in the animation, some of these scenes were created with upwards of 1000 layers of illustration.”
All this serves to creates an incredible visual feast, one that really pulls the audio into a rich and colourful visual medium.
Once the animation was finished I worked on the sound design to tidy up the audio clip and add a little more depth and weight to the piece. As you’ll hear it’s all fairly subtle, which was necessary because the visuals are definitely leading here and there’s a lot going on in the frame already.
The aim of this project was always to blend scientific content with an artistic aesthetic in an attempted to reach audiences that don’t traditionally engage with our more science heavy content. The piece was subsequently awarded a ‘staff pick’ on Vimeo and was picked up by several art and design sites around the web, so we were obviously pretty chuffed about that!
We’re now working on our second piece, which sets visuals to an audio piece I made, featuring British astronaut Helen Sharman discussing her dreams about space. We will be releasing this piece in the lead up to the Christmas Lectures – so stay tuned!
Some recent work shot over the summer:
Slow Motion Contact Explosive
Working with nitrogen triiodide is pretty nerve racking stuff – it’s prepared wet and left to dry, after which it becomes an extremely sensitive contact explosive. So with some careful tip-toeing about we set-up some high-speed cameras to capture the violent, but undeniably beautiful reaction in extreme slow-motion.
Extreme Physics BBQ
What happens when you pump mains electricity through a piece of steak? We teamed up with the BBC Brit Lab channel to cook meat using some extreme physics, including bottle rockets to grill prawns and parabolic reflectors to sear meat – the results were surprisingly delicious!