What does it take for someone to turn their back on their religious upbringing? What effect does that decision ultimately have on them and those around them? We explore the personal journeys of three people who walked away from their faiths and redefined their morality in a world without God.
An ex-Muslim, ex-Hindu, and an ex-born-again-Christian, each recount what their lives were like growing up in devout religious families and what spurred them on to renounce their faith. The programme traces the moments that defined their journeys.
What did removing the hijab in public for the first time represent for the ex-Muslim? How did a religiously motivated bomb attack in India affect the ex-Hindu’s understanding of his faith? How did the ex-born-again-Christian learn to live in a world without morals and rules defined by God?
Occurring without warning, the panic attack is a crippling and cruel symptom of many anxiety disorders. These debilitating episodes thrust individuals into intense bouts of terror, leaving them fighting to regain control of their own body.
The piece combines interview material recorded with a friend and abrasive sound design to pull the listener into the experience of a panic attack. It was produced as part of the Hubbub Relaxation / Cacophony tape, commissioned by the Wellcome Trust and featured during the Lates Spectacular event in September 2015.
Over the last month I’ve been collaborating with Astrid Alben and Hester Aardse of PARS to produce a listening experience for their ‘Some Like Dark‘ event that runs over the May bank holiday weekend at the Wellcome Collection in London.
The listening feature is made up from a collection of interwoven readings, poems, sound pieces and interviews that explore light from different perspectives.
Let your imagination loose on an in-the-dark journey with the work of theatre maker Jan van den Berg, lighting designer; Jennifer Tipton, physicist; John Pendry, sound poet; Jaap Blonk; and many more.
The event promises to be a magical and immersive experience featuring science demonstrations and an animation produced by Eleni Kalorkoti entitled ‘Moonlight in a box’ (top image).
Tickets are free and can be booked online or in person over the weekend! The event runs all weekend as part of the larger ‘On Light‘ event taking place at the Wellcome collection – check it out!
Last year, as part of an AHRC funded project, I was commissioned to make a short experimental audio documentary on the subject of silence. I was given freedom as to how I explored this subject and so I set out to capture the thoughts of those who worked with sound and in silent spaces.
The result, unsurprisingly, was that silence meant lots of different things to different people and so thematically it was very noisy! This relationship between noise and silence was one I was keen to explore through the production and so the piece is filled with hiss, distortion and feedback in an attempt to echo the noisy subject matter. This was explored further through the use of interviews but also with extracts of the poem ‘Describing Silence’ which are intercut throughout. This piece written by James Wilkes was a response to his time spent in total silence and explores some of the self generated noise born out of silence.
The audio work was an artistic output for an Arts and Humanities Research Council funded project exploring the role of silence in academia and other professional fields. The project was run by the Science Communication Centre at Imperial College London and the piece was featured at one of their events.
The piece features interviews with Sophie Scott (cognitive neuroscientist), James Wilkes (poet and writer), Sara Mohr-Pietsch (BBC Radio 3 presenter), Cheryl Tipp (Natural Sounds Curator, British Library) and Vidyadaka (London Buddhist Centre).
The idea of distortion and noise influenced the production from the early stages and as work continued I really wanted to create an intense build up of noise that would level off and really help mark the silence experienced later on in the anechoic chamber.
The piece written by James Wilkes ‘Describing Silence‘ – can be heard in full below:
The interview and reading from James was recorded in an anechoic chamber based at UCL. The space itself is very strange to stand in, the best comparison I can think of is what happens to your hearing when you travel in a pressurised aeroplane. In terms of recording audio in there, it was actually a pretty boring space to record in!
Although it did crop up in several interviews I was keen to avoid referencing John Cage’s 4:33 – there are some great pieces on this already (particularly here: http://www.thirdcoastfestival.org/library/1258-john-cage-and-the-question-of-genre) and it justifies a much longer discussion than I could have accommodated for it.
The piece was recorded on a Zoom H4n and a Marantz PMD661 with AKG D230 dynamic microphone. It was edited and composed in Ableton Live.
Over the last year In The Dark has been digging into it’s library of audio shorts to pull together a series of curated podcasts for the D&AD Inspired by Audio website. The idea behind this has been to introduce new audiences to some of our favourite audio shorts and give them an idea of what can be achieved through creative audio production. If you’ve never been to one of our events before, these podcasts will give you a good sense of the material we play.
Creating a sense of place through sound can often help us connect with the human stories that are so strongly tied to our surroundings.
In this episode producers have used sound in different ways to provide colour and personality to the spaces that they’re exploring, from the dark soundscapes of an abandoned prison to the vibrant musicality of a Baltimore cityblock.
So close your eyes and take a trip across some sonic terrain…
In a week’s time In The Dark will be hosting a special listening event at the Wellcome Collection, as part of the larger Voice event. We will be curating an evening of listening that taps into our complex relationship with the voice, featuring a rich chorus of vocalisations, speech and other oral oddities. The listening event will run for approximately 20 minutes and will be repeated throughout the night (timings below) – I’ve just finished mixing the playlist and we’ve managed to squeeze in an interesting range of material, from strong narrative pieces to the more avant garde.
In addition to our own event, there’s a load of other great stuff going on under the same roof, including talks exploring the science of speech, live vocal demonstrations from yodellers and sports commentators, talking parrots and technology that will remix your voice in real time. It’s all FREE as well, so if you’re in London next Friday you may as well drop by and have a look / listen for yourself.
I’ve recently started producing podcasts for a new non-profit organisation called Pod Academy – they release weekly podcasts on academia and research, covering everything from the arts and culture to science and the environment. There’s a really nice range of subjects covered by the podcasts and their library is growing on a weekly basis. You can browse what they have to offer here.
My latest offering takes a trip around the morgue of the Sunderland Royal Infirmary, with pathologist Dr Stuart Hamilton as a guide. The piece provides a glimpse into mortuary life, from working with the dead on a daily basis, to dealing with cross dressing ‘auto-erotic asphyxiation’ fatalities.
The idea for this piece fell out of a session playing around with audio samples taken from various pornography films, in a bid to produce something for an In the Dark listening event. After a while of manipulating and stretching out these smutty samples I was struck by how much the moans and groans came to resemble the calls of whales.
After a bit of whale sound research I worked to manipulate these sounds until they modelled the range of sounds associated with whales. From the high-pitched clicks, squeaks and squeals to the lower frequency rumbles. The sounds become slightly more unsettling when processed in this way (although out of context they didn’t originally sound that nice to begin with), removing the visual element with which these sounds were originally presented with, definitely made them more sinister. The high-pitched screams are particularly unsettling on their own, baring very little resemblance to the original sample.
However for the event this piece was to be presented at we were keen to finish with something fairly light hearted and I thought it would be much more fun to experiment and explore the concept of ‘porn whales’ than turn this into something dark and foreboding – there was plenty of that featured at the event anyway.
The sounds of the sea were added to provide a little context (recorded in Brighton on a zoom H4n) and the gentle, soothing music came from Kevin Macleod.
The latest In The Dark listening event: ‘One Night Stand’ took an unusual step into the murky world of erotica, featuring pieces exploring sex across the animal kingdom; from humans, to snails, to fish and finally to whales. The night proved to be so popular that we had to put on a second sitting, suggesting that sex really does sell, even when it comes to curated listening events.
Sofia Saldanha and I mixed and compiled the audio for the night, including the production of new material to interweave and transition between pieces. Audio featured included a beautiful and emotionally charged interview from the Dialogue Project, a rather unsettling but humorous piece from Canadian radio show Audio Smut (about masterbating in public places) and and a personal favourite from Danish producer Pejk Malinovski whose piece made reference to the artist Matisse by exploring the reproductive behaviours of snails (can be heard here).
We were really keen to move past a linear playlist which simply presented the pieces rigidly, separated by silence. Instead we experimented in blending all the pieces together into a seamless mix. In many cases we produced short interludes and transitions to help take the listener smoothly from one piece to the next and to keep them immersed within the general narrative of the night.
Finishing off the event was ‘Porn Whales’ – an audio short I’d produced, manipulating the sounds of pornography to resemble the calls of whales (below).
After a bit of whale sound research I worked to manipulate these sounds until they modelled the range of sounds associated with whales. From the high-pitched clicks, squeaks and squeals to the lower frequency rumbles. The sounds of the sea were added to provide a little context (recorded in Brighton on a zoom H4n) and the gentle, soothing music came from Kevin Macleod.